Cultural Landscapes
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William Cronon, “The
Uses of Environmental History,” Environmental History Review. Fall 1993,
1-22.
Attempting to establish
a link between environmental history and contemporary debates surrounding the
environmental movement, William Cronon explores a wide range of issues that
any student of the past can appreciate. Cronon begins his essay by discussing
the various audiences of environmental history, arguing that each group presents
an unique set of risks and opportunities that influence the usefulness of this
body of scholarship. Among these diverse audiences are fellow historians,
policymakers, the general public, and the earth itself. Cronon ends his
examination of multiple audiences with what he admits is an ambiguous conclusion,
stating that competing needs of different groups can lead environmental historians
to either become academically narrow or so pragmatic that they forget how to
do good history. Arguing that how we discover what we know is equally
important to what we know, Cronon leaves the reader with four articles of faith
that guide his work. Included in these “historical habits of thought”
are the underlying assumptions that a dialogue exists between humans and nature
and that all human history has a natural context; that neither nature
or culture is static; that all environmental knowledge, including that
of environmental historians, is culturally constructed and historically contingent;
and finally that due to the fact that historians view the past as a story to
be told rather than a problem to be solved historical wisdom usually comes in
the form of a parable. Cronon ends his essay by asserting that asking
the question, "what is the story?," reminds us of the dynamic relationship between
nature and humans and illustrates that people cannot exist outside of nature
(there can only be people thinking the are outside of nature) and in turn there
cannot be a nature separate from humanity.[J. Dusselier].