Suzanne
Griffith Prestien. “Past [Im]Perfect:
Mythology, Nostalgia, and Baseball,” Baseball and the American
Dream: Race,
Class and Gender in America’s Pastime (Armonk
2001), pp 158-169.
Chela
Sandoval. Methodologies of the
Oppressed (University of Minnesota, 2000),
ch. 4.
Amy Kapalan
“Left Alone in America’: The
Absence of Empire in
the Study of American Culture,” in Amy Kapalan and
Donald E. Pease, eds. Cultures of
United
States
Imperialism
(Duke,
1993), pp 3-21.
Kimberle Williams
Crenshaw, “Color
Blindness, History and the Law,” in Wahneema
Lubiano, ed., The House that Race Built
(New York:
Vintage, 1998), pp 280-288.
Robin
D.G. Kelley, “We Are
Not What We Seem,’ Rethinking Black Working-Class Opposition in
the Jim Crow
South,’" J. Am. Hist. (June
1993): 75-112.
Robin
D.G. Kelley, Yo’ Mama’s Disfunktional!
(Beacon, 1997),
Ch. 1.
Michel
Foucault, History
of Sexuality, (Vintage), Introduction.
Evelyn Brooks
Higginbotham,
“African-American Women’s History and the Metalanguage of Race,”
Signs 17
(1992).
August Wilson Fences. New American Library
(1995).
Peter
Drier. “Jackie Robinson’s Legacy” Baseball and
the American
Dream: Race, Class and Gender in
America’s Pastime (Armonk
2001), pp 43-63.
Roger Kahn, “The Greatest Season,” Baseball and the American Dream: Race, Class and Gender in America’s Pastime (Armonk 2001), pp 37-42.
Langston Hughes. “Negro Artist and the Racial Mountain,” Mitchell, ed. Within the Circle, (Duke Press, 1994) pp. 55-59.
LeRoi Jones, “The Myth of a ‘Negro Literature,’” in Angelyn Mitchell, ed. Within the Circle, (Duke University Press, 1994) pp. 55-59.
Handout:
George Lipsitz,
Possessive Investment in Whiteness
(Temple,
1998) Chapter 1.
Gail Bederman, Manliness and Civilization
University of Chicago. ch. 5.
Lennard Davis. "Constructing Normalcy: The Bell Curve, The Novel, and the Invention of
the Disabled Body in the 19th Century," in ed., Lennard Davis, The Disability Studies
Reader, ( Routledge 1997) pp. 9-28.
Robin
D.G. Kelley, Yo' Mama’s Disfunktional!
(Beacon, 1997),
Ch. 2.
Michael Kammen.
Social Change and the 20th Century, (Basic,
1999). 7 and 9.
Harely Henry. “Them
Dodgers is My Gallant Knights: Fiction as History in The
Natural,” Journal
of Sport History vol. 19 no. 2
(Summer, 1992), pp.
1-20.
Lisa Lowe,
Immigrant Acts
(Duke University Press, 1996), chs. 1-2.
Frankenberg
and Mani, “Crosscurrents, Crosstalk: Race, Postcoloniality
and the Politics of Location,” Cultural Studies, Vol. 7,
no.2 (1993):
292-310.
Kandice Chuh,
Imagine Otherwise: On Asian Americanist Critique
(Duke, 2003), Chs 1 and 2.
Patricia
Hill Collins.
Black Feminist Thought, 2nd edition, Chs 9-10.
Farah Jasmine
Griffin, Who Set
You Flowin’? (Oxford, 1995) Intro
and chs 1 and 3.
Kerry Yo
Nakagawa, “Japanese American Baseball 1899-1999,” Baseball
and the American
Dream: Race, Class and Gender in
America’s Pastime (Armonk
2001). pp 123-140.
Joel
Franks. “California
Baseball’s Mixed Multitudes” Baseball and the American
Dream: Race, Class
and Gender in America's Pastime (Armonk
2001). pp 102-123.
Film: Aviva
Kempner. The
Life and Times of Hank Greenberg.Ciesla
Foundation. 1999.
Philip Roth,
American
Pastoral. Vintage: New
York: 1998.
The Combahee River
Collective, “A Black Feminist Standpoint.”
Michelle
Wallace, Black Macho and the Myth of the Superwoman
(Verso,1978) ch 3.
Krasner Stephen,
Ruth
Frankenberg and Lata Mani,
“Crosscurrents,
Crosstalk: Race ‘Postcoloniality’ and
the Politics of Location,” Cultural
Studies, Vol. 7, no
2. (1993): 292-310.
Isabelle
Gunning, “Arrogant
Perception, World Traveling, and
Muticultural Feminism: The Case of Female Genital
Surgeries,” in Columbia
Human Rights Law Review, Vol. 23 no.2 (1992) 189-248.
Toni
Morrison, “Home,” in Wahneema and Lubiano,
ed., The
House that Race Built, (New York: Vintage, 1998).
“Sammy Sosa
Meets Horatio
Alger: Latin Ball Players and the American Success Myth,”
Baseball and the
American Dream: Race, Class and Gender in
America’s Pastime, (Armonk
2001). pp 71-75.
Andrei
Codrescu, “Borders
and Shangri-La: Orlando (El Duque) Hernandez and Me,”
Baseball and the American Dream: Race, Class and Gender in
America’s Pastime, (Armonk
2001). pp 90-101.
Gloria
E. Anzaldua, “Toward a Mestiza
Rhetoric,” in Interviews/Entrevistas (Routledge
2000) 251-280.
Film: A League of
Their Own. Penny
Marshall. 1992.
Alice Echols,
Daring to
be Bad: Radical Feminism in America
1967-1975.
(University
of Minnesota, 1990).
Gai Ingham Berlage
“Women, Baseball, and the American Dream,” Baseball and the
American Dream:
Race, Class and Gender in America’s Pastime (Armonk
2001). pp
235-247.
Gail Rubin,
“The Traffic in
Women,” in Rayan R. Reiter
(ed.) Toward
an Anthropology
of Women (1975): 157-210.
Joan Scott
“Deconstructing Equality vs. Difference,” Feminist
Studies,
14. no. 1
(1998).
Darryl Brock
and Robert
Elias “To Elevate the Game”
Baseball
and the American Dream: Race, Class and Gender in
America ’s Pastime, (Armonk
2001), 255-261.
Michael
Kimmel. Manhood in America (Free
Press, 1997), Introduction and chapter
1.
Anne R. Roshcelle
“Dream or Nightmare: Baseball and the Gender Order” Baseball
and the
American Dream: Race, Class and Gender in
America’s Pastime, (Armonk
2001), 255-265.
Nell Irvin
Painter,
Selections from Sojourner Truth (1996).
Cherrie Morage
and Gloria, This Bridge
Called My Back,(Kitchen Table, 1981), Introduction and a
selection of poetry.
Sean
Salisbury. “Macho Culture,” ESPN The Magazine.vol. 5 no.
23. October 30,
2003.
A series of
Todd Jones
articles.
Jim Gray, “Piazza Denies Rumor as Gay Player Issue Resurfaces,” ESPN
The Magazine.
May 22,
2002.
Katie King,
Theory in its Feminist
Travels, (Indiana
University Press 1994): Chs 4 and
5.
Adrienne
Rich, “Compulsory
Heterosexuality and
Lesbian Existence” (Virago Press,
1978).
Rhonda
M. Williams, “Living
at the Crossroads: Explorations in Race, Nationality, Sexuality,
and Gender,”
in Lubiano, ed., The House that
Race Built (Vintage,
1998) pp. 136-156.
Philip Brian
Harper,
“Eloquence and Epitaph: Black Nationalism and the Homophobic
Impulse in
Response to the Death of Max Robinson,” in Michael Warner,
ed. Fear of a
Queer Planet (Univ. of Minnesota,
1993) pp. 239-263.
Rhonda
M. Williams, “Living
at the Crossroads: Explorations in Race, Nationality, Sexuality,
and Gender,”
in Wahneema
Lubiano, ed., The
House that Race Built, (New York: Vintage, 1998), pp
136-156.
Judith
Butler “Imitation and Gender Insubordination,” in Linda
Nicholson, ed., The
Second Wave (1997).
Eve Sedgwick,
“Epistimology of the Closet,” in Abelove,
et al., The Lesbian and Gay Studies Reader,
45-61.
Gayatri Spivak,
“Can the Subaltern Speak?” in Nelson and Grossberg,
eds., Marxism and the Interpretation of Culture
(University of Illinois
Press, 1988), 271-313.
Patricia
Hill Collins.
Black Feminist Thought, 2nd edition, Introduction.
Jeremy
Howell, “The Corporatzation of Baseball
and America,” Baseball
and the American
Dream: Race, Class and Gender in
America’s Pastime, (Armonk
2001), 207-213.
Maxine Malyneux,
“Mobilization without Emancipation? Women’s Interests,
the State, and Revolution in
Nicaragua,” in Feminist
Studies, vol. 11, no. 2 (1985): 227-254.
Culture
Film: Ken
Burns. Baseball, Inning 8. PBS 2001.
Lawrence W.
Levine. Highbrow
Lowbrow: The Emergence of Cultural Hierarchy in
America, (Harvard) 1986.
Rosemarie
Garland Thompson,
“Theorizing
Disability,” in Extraordinary Bodies, (Columbia University
Press, 1997):
19-51.
Robert Elias,
“A Fit for a
Fractured Society: Baseball and the American Promise,”
Baseball and the
American Dream: Race, Class and
Gender in America's Pastime, (Armonk
2001),
introduction.
Memory, Citizenship, and
Art
W.P. Kinsella. Iowa
Baseball Confederacy,(Mariner Books, 1996).
Marita Stuken,
Tangled Memories: The
Vietnam War, The
AIDS Epidemic, and the Politics of Remembering, (Berkeley
Press, 1997).
Film: Barry
Levinson. The Natural, (Columbia, 1994)
Bernard Malamud. The Natural,
(Farrarr, Strauss and Giroux, 2003).
Weekly Response Paper: A response paper that works to sort through major the
ideological/theoretical issues of the week will be due at the beginning of
each class. Although your paper need not arrive at specific conclusions, it
should be polished and have a coherent thesis and sufficient evidence to support
that thesis. (40%)
Guiding Class Discussion: Each student will facilitate discussion of a single
class. Your job is to briefly summarize the theoretical pieces for the week
and to create compelling discussion questions that meld the theoretical and
literary/filmic pieces. Part of the job of being the facilitator is to create
questions that allow us to probe race, class, gender, sexuality, power, American
citizenship, etc. through the texts we read. Please let me know if I can be
of any assistance. (10%)
Final Paper: Each of you will write a research paper that probes an element
of American culture, using as a foundation one of the weekly topics listed on
the reading syllabus. The paper should be 15-20 pages long. At the end of the
semester, we will present our papers as a class, and the presentation will
count for 10% of the grade for the paper. (30%)
Weekly Participation: You are required to share your insights from the
readings with us. If you do not, you are robbing the class of potential ideas and
thereby limiting classmates’ progression in writing and critical thinking.
Therefore, you must come to class prepared to discuss and/or write about each
assignment. (10%)
Supplementing the Syllabus: This is your chance to introduce to the class a
work to which you are personally attached. Each student will choose an
additional resource that enhances our understanding of American Studies and present
it to the class. The resource can be connected to that particular class’s
readings or it may contradict them; if it is totatlly unrelated please explain
your motivation for including it. You will write a one-page annotation of the
resource, distribute it to the class, and briefly summarize it. (10%)
AMST 603
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