Classical vs Popular Music

Classical vs. Popular Music




During the 1930s, musical boundaries were hardly defined. All music blended with all other music. So it is a difficult topic to discuss. As has been discussed in Music In Greenbelt, classical music was very popular in Greenbelt. Classical music of the 1930s was heavily influenced by a combination of the the French classical music of the 1820s, and of the big band music of the period ("Entertainment" 189). One of the pioneers of modern day classical music was Irving Berlin. He was known for his musical scores - his score for the movie Blue Skies starring Fred Astaire and Bing Crosby, was nominated for an Academy Award. He was popular for his excellent fusion of swing jazz and traditional classical music. During the 1930s, classical music, also known as European concert music, was performed by jazz artists. The style was changed a bit but the content remained the same. This was met with resentment by many people including the Bach Society of New Jersey. They claimed that the jazz artists were "desecrating" the original music. This came to ba a major issue during this time period.

Everyone from the guy down the street to the First Lady were involved about what their opinions were on the subject. Opinion in the jazz community was also split. Artists like Benny Goodman and the Dorsey Brothers, who were the first few to experiment with "swinging the classics" thought that there was nothing wrong with bringing the music up-to-date. In favor of copying the music, Paul Whiteman argued that Bach was once dismissed from the church because he improvised too much with the traditional hymns. Others, like Count Basie, thought that the jazz artists were "desecrating American's beautiful old melodies and favorite music." The First Lady, Eleanor Roosevelt, saw no potential harm in copying, or reinterpreting, the old music. (Stowe, 94-97). This question lingered for quite some time - whether jazz musicians were running out of material so that they were copying classical music. This issue was put to rest during the late 1930s when jazz music flourished based on original works produced by the likes of Benny Goodman and Duke Ellington.